In an old scene from The Hunt for Red October , a sonar operator (“Jonesy”) brings his captain something awkward: the ship’s expensive classification software has labelled an acoustic trace as “magma displacement” — essentially, a seismic event. Jonesy doesn’t dismiss the software. He explains why it might be doing what it was built to do (it was written for seismic detection), and why that same strength becomes a weakness when it meets a novel signal. Then he does something

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